HELLO AGAIN A film review by Mark R. Leeper Copyright 1987 Mark R. Leeper
Capsule review: Director Frank Perry is best at making odd, thought-provoking dramas. His attempt at making a light comedy in the Touchstone tradition is less than a roaring success. Shelley Long plays a woman magically brought back from the dead who has to get back into life. Nobody's reactions are believable. Rating: 0.
A few months ago, when OUTRAGEOUS FORTUNE was released, I wrote about what I expected would be fondly remembered as "the Touchstone comedies." They were a set of formula comedies, but each was fairly enjoyable. Well, the formula is already starting to wear a little thin. HELLO AGAIN has a below-par script, some spotty acting, and very little in the way of humor. For the first eighty minutes or so the story seems aimless but amiable, then suddenly things do start to happen, but nothing very good.
Lucy Chadman (one of a number of nearly identical characters Shelley Long has played) has a bland existence as the wife of a Long Island plastic surgeon. About the only thing really unusual in her life is the year she was dead before her occult-loving sister brought her back to life. The repercussions are not unlike those in MY FAVORITE YEAR and MOVE OVER, DARLING in which supposedly dead wives prove to be alive. Chadman finds her husband has married her mercenary best friend (played by Sela Ward, who is nowhere nearly as striking as she was in NOTHING IN COMMON). People react in different ways to Chadman's return and each reaction rings false. This could have been a very emotional comedy, but Susan Isaacs's script keeps sabotaging itself. Long's character is supposed to be incredibly clumsy for no other reason than to throw in a little gratuitous slapstick. It may work with some slapstick actors, but Long is incredibly inept at acting inept. Her pratfalls all seem mechanical and staged. In fact, the film has the feel of having been written for Chevy Chase and then modified for a female lead.
What makes the film even more disappointing is the track record of its director and writer, Frank Perry and Susan Isaacs, who were also responsible for COMPROMISING POSITIONS. Perry's earlier works, incidentally, include films stranger and more memorable than HELLO AGAIN, including DAVID AND LISA, LADYBUG LADYBUG, THE SWIMMER, MAN ON A SWING, and RANCHO DELUXE. In such company HELLO AGAIN will be quickly forgotten. Rate it a low 0 on the -4 to +4 scale.
Mark R. Leeper ihnp4!mtgzz!leeper mtgzz!leeper@rutgers.rutgers.edu
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