THE REPLACEMENT KILLERS RATING: 6.5 / 10 --> So-so
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Chow Yun-Fat makes his American movie debut in a shoot 'em up Hong Kong-themed action thriller co-starring Quentin Tarantino's main squeeze from the days of shooting, Mira Sorvino. This film is also the first for music-video director (see Little Known Facts below) gone movie director Antoine Fuqua.
PLOT: Hitman Lee (Yun-Fat) must kill a police officer's son for his gangster boss Mr. Wei. Before he kills the child, he develops a conscience, and skips his task of murder. Mr. Wei is not happy with his killer employee, and sends in some "replacement killers" to finish him off, as well as the cop's kid. Lee must do battle with other killers, while attempting to return home to his endangered family in China, with the assistance of passport forger Coburn (Sorvino).
CRITIQUE: Do you like guns? Do you like the gunplay? If your answers to the previous two questions were a resounding "yes", then I suggest you get up off your ass, jog over to your nearest video store, and rent this gun smokin' fun-fest! If you're one that enjoys the plot of a movie, the deep characterization of man and woman, and the existential meaning of life, then I suggest you remain seated, and move onto another review. This bullet-emblazoned film is all noize and explosions, and anything but stimulus for your cerebral matter.
This movie is also filmed like a MTV music video, with the required hip eclectic soundtrack, a dark moody look with sporadic use of green and red filters, and the obligatory Tony Scott-famed rainfall. It also boasts the required short runtime (less than 90 minutes- flat), an extreme use of slo-motion when the bullets and the bodies are a-flyin', and the less than impressive emphasis on plot. If there was a plot, that is. Oh yeah, hitman develops conscience: Now, let's kill hitman. Slap in some Sorvino running around in a bra for most of the film, and you've got yourself a nacho-munching fool-fest for all those willing to drop their brains off at the door (Guilty as charged.)
Yun-Fat's rookie American performance is also pretty lame in this movie, with his entire dialogue based around three word monotone sentences. Michael Rooker as the good cop plays Michael Rooker as the good cop, and the rest of the cast is basically just a heap of bodies to be counted later. Did I mention that there were a lot of gunfights? In the tradition of the master himself, John Woo (co-executive producer on this one), Fuqua also wastes no time in between gunplay scenes. Fat walks into a hotel. Gun fight. Fat walks into an arcade. Gun fight. Fat walks into a car wash. Gun fight. Highly stylized gunfights mind you, but perpetual gunfights nonetheless. All in all, this is the kind of stuff that seems to be receding our kids into the lobotomous zones that we recognize them in sometimes. On the other hand, if this is your taste of salsa, don't let me stand in the way of a man, his cheese and his monster bag o' nachos!
Little Known Facts: Mira Sorvino is the daughter of actor Paul Sorvino (Mob-boss Paul from GOODFELLAS (9/10).) She won an Academy Award for Best Supporting Actress for Woody Allen's 1995's MIGHTY APHRODITE (6.5/10). She dated director Quentin Tarantino for two years, and he even named one of his production companies Mighty Mighty Afrodite Productions in her honour. Mira graduated from Harvard University in 1990, with a major in East Asian Studies. She speaks fluent Mandarin Chinese. Director Antoine Fuqua is famous for directing Coolio's "Gangsta's Paradise" music video, as well as Prince's (or the Artist Formerly Known as a Loser) "The most beautiful girl in the world". Chow Yun-Fat has won the Hong Kong Academy "Best Actor" Awards three times for A BETTER TOMORROW in 1987, CITY ON FIRE (7.5/10) in 1988 and ALL ABOUT AH LONG in 1990. He was born in Hong Kong in 1955.
Review Date: August 9, 1998
Director: Antoine Fuqua
Writer: Ken Sanzel
Producers: Bernie Brillstein and Brad Grey
Actors: Chow Yun-Fat as John Lee
Mira Sorvino as Meg Coburn
Michael Rooker as Stan "Zeedo" Zedkov
Genre: Action
Year of Release: 1998
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(c) 1998 Berge Garabedian
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