Avengers, The (1998)

reviewed by
Steve Kong


THE AVENGERS (1998)
A film review by Steve Kong
Edited by Cher Johnson
Copyright 1998 Steve Kong

A few months ago I was ask by former director, now turned film critic, Alan Smithee to be his backup advisor for the film The Avengers. The director, Jeremiah S. Chechik, wanted to have a film critic on the set to advise him what to do and what not to do. I found that Smithee was quite an ill man, and therefore I found myself on the set of The Avengers more than expected. This would have been great for a budding film critic like me, if it had not been for a few problems.

Following is a script showing the few times that I was on the set of The Avengers. All personalities are computer generated.

---
INT - CHECHIK'S OFFICE – DAY
Sitting in the room are: JEREMIAH S. CHECHIK and STEVE KONG.
Steve is FRANTICALLY flipping through a script. In walks
UMA THURMAN.
                THURMAN
        Nice office.
                CHECHIK
        Thanks. Uma, I think you know why I
        wanted to meet with you. I want to
        cast you as Emma Peel, super-secret
        agent. You'll star in The Avengers,
        a remake of a classic TV show.
                THURMAN
        Sounds good. Who will I be working
        with?
                CHECHIK
        Dunno yet. But, here's a large lump
        of cash.

Chechik hands over a large sum of money.

                THURMAN
        That's great. After my horrible
        performance in Batman and Robin,
        any movie should be good. Where do
        I sign?

Chechik hands over piece of paper and a pen. Thurman signs and leaves the office. Steve is DISAPPOINTED that he wasn't able to get an autograph.

A KNOCK.
                CHECHIK
        Come!

In walks RALPH FIENNES. Fiennes takes a seat opposite Steve.

                STEVE
        I loved you in Strange Days!
                FIENNES
        Why thank you. Jerry, what's up?
                CHECHIK
        I noticed you have been doing a
        lot of good work lately, like
        The English Patient and the
        forementioned Strange Days.
        Thought you might want
        to work in something with more
        fluff than dialogue.
                FIENNES
        Who will I be working with?
                CHECHIK
        Uma Thurman.
                FIENNES
        Not sure if I'll have any onscreen
        chemistry with her. Wasn't she also in
        that horrible movie Batman and Robin?
                CHECHIK
        She might have been. Here's a large
        sum of money. Is that enough?

Chechik hands over a large sum of money. Fiennes's eyes go WIDE.

                FIENNES
        Looks fine to me. Where do I sign?

Chechik hands over paper and pen. Fiennes signs and leaves. Another KNOCK.

                CHECHIK
        Come!

In walks SEAN CONNERY. Steve stands up, SHAKES Connery's hands.

                STEVE
        You're…You're…You're…
                CONNERY
        Sean Connery.
                STEVE
        That you are.
                CONNERY
        Good to meet you, chap.
                STEVE
        My pleasure.
                CHECHIK
        We need you in a skirt.  Then we need
        you in a teddy bear suit.  And finally
        we need you to really overact.  Here's
        a large sum of money.

Chechik hands over a large sum of money. Connery signs papers and leaves.

                STEVE
        You didn't even consult me.
                CHECHIK
        Later, chap, later.

EXT – AVENGERS'S SET – DAY FIENNES, THURMAN, CONNERY, CHECHIK, and STEVE are on set. Steve is sitting in his own chair. Fiennes, Thurman and Connery are on set acting.

                CHECHIK
        No! No! No! Ralph and Uma! You're
        acting! I don't want acting! I want
        you to be deadpan. I don't want
        chemistry either! Sean! What's wrong
        ole chap? I want more acting! Overacting!
        Now, let's do this take again!
                STEVE
        But, they were doing just fine. 
                CHECHIK
        Shush, chap. I'm the director.
                STEVE
        I'm here to advise, though.
                CHECHIK
        Later, chap, later – Sean! Sean! Here's a
        few more dollars, I want overacting!
STEVE'S head hangs low.

INT – EDITING ROOM – DAY CHECHIK, STEVE, and editor MICK AUDSLEY are at the editing console.

                CHECHIK
        I want this movie short.
                AUDSLEY
        That's fine ol' chap.
                STEVE
        But, you shot all that footage. Some
        of it actually came out looking pretty
        good. And most of makes sense.
                CHECHIK
        No, I want it short.

STEVE sighs. AUDSLEY begins to edit the film.

LATER – AUDSLEY is sitting back. STEVE and CHECHIK are viewing the final cut of the film.

                STEVE
        None of this makes any sense! Sure,
        there is some good cinematography
        by Roger Pratt, but that's all lost
        to this horrible editing, bad acting,
        and loss of continuity!
                CHECHIK
        Chap, this is the best film I've ever
        seen.
                STEVE
        This film stinks!
                CHECHIK
        Chap, here's a few hundred dollars.
        Write something good about the film.
                STEVE
        I will not take that money! And further
        more, don't credit me as an advisor for
        this film. This film is an absolute
        horror. I wouldn't recommend this film
        to anyone.  Everyone should skip this
        film! It looks gorgeous, but that's
        about all that's good about this movie.

Steve gets up and STORMS OUT of the editing room.

---
And that was my experience as a film critic/advisor.
---
 Steve Kong                                    reviews@boiled.sbay.org
         reviews from a guy who loves the cinema
         http://boiled.sbay.org/boiled/

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