MONEY MOVERS A Film Review Copyright Dragan Antulov 1998
In the 1980s the author of this review used to be in love with the booming and blooming Australian film industry. The video stores were full of tapes with the latest Australian films, and the former Yugoslav television aired almost any miniseries that it could get - all of that usually superior to the similar Hollywood products. The first crush in that romance occurred few years earlier, when former Yugoslav television had been introducing the new Australian cinema in a weekly series of television premieres. My taste at the time was too unrefined for to appreciate their quality, so they mostly slipped out my memory. However, there was one notable exception - MONEY MOVERS, 1978 crime thriller by Bruce Beresford, the most commercial and Hollywood-like of all those movies, but also superior to many similar films made on the other side of Pacific.
The screenplay is based on the novel by Devon Minchin, yet the beginning credits tell that the plot was based on the actual events. In any case, the authenticity of the movie is quite moot point, because writer and director Bruce Beresford throws nitty-gritty realism to our face. Security firm specialised in the transport of money and other valuables becomes the target of repeated hits by armed robbers. Its owner, Lionel Darcy (Frank Wilson) is worried because the failure to secure the transports could mean the end of his business. His worries multiply when he gets anonymous tip that the firm is going to get hit from the inside. That also worries Eric Jackson (Terence Donovan), one of Darcy's trusted employees who was planning exactly the same thing for the last five years. Those events coincide with the appearance of a new, young and seemingly inexperienced employee Leo Bassett (Tony Bonner). Darcy's suspicions and some other strange events also bring the attention of a local crime boss Jack Henderson (Charles 'Bud' Tingwell), who would also like the piece of an action.
Good thing about cinematographies that have a relatively short pool of actors or cinematic opportunities for them is the fact that some really good artists don't hesitate playing the small roles. Here, in MONEY MOVERS, those small roles are illuminated by the great bunch of more than capable actors like Ed Deveraux, Terence Donovan or Bryan Brown. The script and good direction of Bruce Beresford allows them all to shine in a tiny hour and half of non-stop action and intrigue. The plot is really intriguing, allowing some interesting twists and surprise, although Beresford does reveal most of its cards in the beginning. Also, despite the huge amounts of pulp material - sex, violence, bad language, police corruption (in many ways than one) - its use doesn't seem to be gratuitous. By providing such naturalistic elements, Beresford draws us into the picture and allows us to forget any possible flaws of characterisation. Everything culminates in extremely violent and cathartic finale, although direction of the action scenes would be better in the hands of someone like Walter Hill or George Miller. But, despite all those shortcomings, MONEY MOVERS should be watched as refreshingly entertaining piece of underrated cinema.
RATING: 8/10 (+++)
Review written on November 19th 1998
Dragan Antulov a.k.a. Drax
Fido: 2:381/100
E-mail: dragan.antulov@st.tel.hr
dragan.antulov@altbbs.fido,hr
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