Sentinelle, La (1992)

reviewed by
Dennis Schwartz


SENTINEL, THE (LA SENTINELLE) (director:Arnaud Desplechin; screenwriters: Pascale Ferran/Noemie Lvovsky/ Emmanuel Salinger/Arnaud Desplechin; cinematographer: Caroline Champetier; cast: Emmanuel Salinger (Mathias Barillet), Thibault de Montalembert (Jean-Jacques), Jean-Louis Richard (Bleicher), Jean-Luc Boutte (Varins), Valérie Dréville (Nathalie), Marianne Denicourt (Marie Barillet), Bruno Todeschini (William), Emmanuelle Devos (Claude), France-1992)

Reviewed by Dennis Schwartz

A student of forensic medicine, the son of a deceased French diplomat, Mathias Barillet (Emmanuel Salinger), coming with his youthful diplomat friend, Jean-Jacques (Thibault ), by train from Germany to Paris, is stopped at the border and searched by the border guards and grilled by a mysterious man who expresses a mean-spirited resentment against him. When he returns to his Paris hotel, he finds a severed head in his suitcase. Why he doesn't turn the head over to the police, the most logical thing in the world to do, is never fully explained to my satisfaction. But this espionage thriller, picking up on the theme of the Cold War, will be about his searching for the identity of the head and its possible connection to the man who harshly interrogated him on the train.

He visits his sister Marie (Marianne Denicourt), who is rehearsing classical songs for her upcoming opera recital and possible trip to Russia. The opera company is run by Jean-Jacques' boss, Varins (Jean-Luc Boutte), a seemingly controlling figure, choosing to remain in the background. Here, Mathias will be introduced into the drab world of the underlings who keep the spy system going, something his father did but what he chooses not to do. Needing a place to live, he teams up with another diplomat he is introduced to at the rehearsal, a more forceful type than he is, William (Bruno), and they rent a large apartment, which is strictly divided in half, like the Berlin Wall, with no encroachment allowed without special permission.

There is also an attempt at romance with the head pathologist's elusive daughter, Claude (Devos), where the opposites try and mesh; at least, he, representing the very sober field of science, wants a relationship with the carefree art student, who prefers a different type of guy, to his chagrin.

Meanwhile, in slow-time, it becomes apparent that there is some kind of political corruption going on by the diplomats he knows in Paris and by his interrogator, who is now identified as a double-agent by the name of Bleicher (Jean-Louis Richard). He is someone upset with the government's appeasement of the communists. All this spy business was rather vaguely done, and gave no particular credence to the story, except it did show a large vacuousness among the young as to their country's recent history. What the film couldn't do, was make all this interesting and tangible to the story it was telling. A story which threw out many possible situations, but never delved fully into them. So what remains, is a naive medical student, with friends and a sister he has alienated, and a mystery story that has no great payoff for the 2 1/4 hours it took to tell it. Yet it was somewhat diverting as a study of the students and their attitudes. The Russian scientist's severed head is used as a symbol for the Cold War and is dissected by the medical student and shown to be part of the cloak-and-dagger game played by both sides, which still goes on, because enemies are needed to assert the righteousness of one side over the other.

The naive hero is not convincing enough in his role as a seeker of justice and the film as a political thriller suffers from a lack of focused direction. What is absorbing, is the psychological mood of the students shown and how they view their place in a possibly united Europe. It was a good idea for a film, that tried to show that metaphorically opposites might attract but can't stay together, but it was too poorly executed for one to sustain an interest in its long drawn out meandering story.

REVIEWED ON 8/4/99      GRADE: C

Dennis Schwartz: "Ozus' World Movie Reviews"

http://www.sover.net/~ozus
  ozus@sover.net

© ALL RIGHTS RESERVED DENNIS SCHWARTZ


The review above was posted to the rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the review and has no editorial control. Unless stated otherwise, the copyright belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due to ASCII to HTML conversion.

Related links: index of all rec.arts.movies.reviews reviews