Any Given Sunday (1999)

reviewed by
Berge Garabedian


ANY GIVEN SUNDAY
RATING: 7 /10 -->Good movie

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In any given year, director Oliver Stone will attempt to focus his manic tendencies into a version of reality seen through the eyes of a man who's been through wars, Wall Street, the White House, Jim Morrison's dirty laundry and a long, summer heat with Sean Penn and Jennifer Lopez. Now whether you dig the man's style, personality, odor or not (I do), there is one thing that we can all agree on: there is no one like Olly Stone! Cheers daddy-o and smoke 'em if you got 'em!

PLOT: An old-school football coach is faced with the possibility of ending the season without his number one veteran quarterback. Luckily for him, a younger, cockier QB is ready to take his spot in the limelight, but as per his ego, the strappin' lad cares little about the sport, his teammates or anyone else for that matter. And as the playoffs approach and the team's headstrong owner looms overhead, the coach must figure out how his team is going to overcome the odds to win the big game, win each others respect and ultimately win as men.

CRITIQUE: Football fans rejoice, this film is tailor-made for you. Everyone else, uhhmm....well, close your ears and get ready for an overlong, over-stylized humpty-dumpty ride of loud banging music, loud crashing football players and a loud, but surprisingly predictable, script. Stars galore, many wasted, this film offers more names than any recent Woody Allen flick. Check Pacino, as the old school coach, tough, rugged, chips on his shoulder but still ballsy enough to get shit done. Good job. Check Diaz, going against type as a strong-willed woman fighting to make her voice heard in a sport run wildly by men with giant egos and wallets. Solid effort. You can even check Jamie Foxx, last minute replacement for Puff Daddy, as the cocky, new kid on the block, looking fine, feeling fine and acting, well, pretty damn fine. The rest, uuuhhm, James Woods, pretty one-dimensional, Lauren Holly, even more one-dimensional, Elizabeth Berkley, looking the mess, LL Cool J, underused, and Matthew Modine, wow, what an insignificant career move, my friend.

The story, you ask? Well, the story is so-so interesting with much of it predictable to anyone who has seen any other Hollywood sports movie done in the past 50 years or so. Does Stone bring an extra stick of hot-peppered pinnace to the proceedings? Sure, but unfortunately it materializes itself mostly in many ridiculously overdone "symbolic" camera shots inter-spliced between characters speaking to one another (Can anyone please explain the whole Ben-Hur thing to me? Deeeeeep?), and some really cool scenes featuring bang-up football at its best, but very little "insight" into the game itself. I mean, by now anyone with a remote control knows that YES, some sports doctors do allow their players to go on playing injured, YES, most modern sports athletes think a lot more about the money than they do the game itself, and YES, owners are generally cold-hearted pricks with very little more on their mind than the bottom line. Nothing new here, folks. Unless of course these accepted stereotypes were new to you, than oops, I guess you might find something a little fresh in this story.

So why do I still rate this film as a "good movie"? It's simple really. It's one great big kickass rock n' roll rappin' ride through the wonderful world of professional football, including its rough and tumble menageries on the green, its extra-curricular partying with the booze and the drugs and the whores, and its ultimate high of winning the big game, teammates strapped by your side. Basically, it's your ultimate testosterone rush, and unless you spend your Sunday afternoons meditating over the "golf" channels, or you get bored seeing football scene after football scene being followed by a party scene and a "time to move the plot forward dialogue scene", this film should blow your eardrums and eye-sockets right out of your ass! Wham-bam, thank you man! (Bring your own condoms)

Little Known Facts about this film and its stars: On March 8, 1999, The New York Daily News reported that actor Jamie Foxx had filed assault charges against rapper-actor LL Cool J after the two had a dust-up on the set of this movie. Foxx apparently claimed that LL socked him in the face while they were filming a scene for the movie. Plenty of real football folks pepper this film's cast, most notably an impressive turn by LT (Lawrence Taylor) as Shark, Jim Brown as defensive coordinator of the Sharks, Warren Moon, Ricky Watters, as well as Dick Butkus and Johnny Unitas featured as opposing coaches. Ex-Dallas Cowboys coach Barry Switzer also takes a turn as a sports announcer, alongside the writer/director of this film himself, Oliver Stone (who can be seen taking a sip o' booze from his post high atop the proceedings early on in the film). Sean "Puffy" Combs' official statement regarding his dropping out of this movie from the role of Willie Beaman was that "Following numerous scheduling changes that created conflicts with my other professional commitments, it is clear that this is not a film in which I will be involved." Veterans to Oliver Stone films include the always-funny John C. McGinley, who makes his sixth appearance in a Stone pic with this one, and James Woods, who shows up for number five. This film is based partly on the novel written by Rob Huizenga entitled "You're okay, it's just a bruise: A doctor's sideline secrets about pro football's most outrageous team". Male frontal nudity is also featured in this film, but none of the stars, including Al Pacino, Dennis Quaid, Jamie Foxx or LL Cool J take part. Of course, we all know that LL Cool J. stands for "Ladies Love Cool James". Pretty corny, but hey, the man made it stick, so leave him alone! James Smith is his real name. Why no mention of the NFL you may ask? Considering the unyielding, honest, and free depiction of professional football that Stone wanted to portray in this film, he also wanted to splash an element of fiction in its physical backdrops. Ultimately, the filmmakers and the National Football League agreed to disagree, without interference from one party to the other, and thus, the AFFA (Association of Football Franchises of America) was born, the professional football league to which the Miami Sharks and all other teams depicted in ANY GIVEN SUNDAY belong. In fact, the Shark Stadium, where the fictitious Miami Sharks play football in this film, is actually the Orange Bowl Stadium, in Miami, Florida.

Review Date: December 21, 1999
Director: Oliver Stone
Writers: Oliver Stone and John Logan
Producers: Oliver Stone, Dan Halsted, Lauren Shuler Donner and Clayton
Townsend
Actors: Al Pacino as Tony D'Amato
Cameron Diaz as Christina Pagniacci
Jamie Foxx as Willie Beaman
Genre: Drama
Year of Release: 1999
(c) 1999 Berge Garabedian

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