NEW ROSE HOTEL (director/writer: Abel Ferrara; screenwriter:Christ Zois/based on the short story by William Gibson; cinematographer: Ken Kelsch; cast: Willem Dafoe (X), Christopher Walken (Fox), Asia Argento (Sandi), Yoshitaka Amano (Hiroshi), Annabella Sciorra (Madame Rosa), John Lurie (Man in bar conversing), Ryuichi Sakamoto (Hiroshi's Executive), Gretchen Mol (Hiroshi's Wife), 1998)
Reviewed by Dennis Schwartz
Decadence rules the day for Abel Ferrara's offbeat soft-porn look at how the modern world has come up with a new criminal type-the international corporate raider. The problem with the film, as an original and diverting story as it is, is that it is also too confusing to follow and suffers from a sense that it is too "hip" for its own good. But even as the film failed to add up to being as good as it could have been, it was still entertaining and visually engaging.
Willem Dafoe as X and a gimpy legged Christopher Walken as Fox, play two corporate raiders who hatch this fantastic plot to steal a Japanese geneticist, who is involved with mutating a virus that could cure the common cold, Hiroshi (Yoshitaka Amano-a designer of video games). He is married to a German woman (Mol) and has everything in the world that he could possibly want. But Fox views him as a fish out of water, someone who doesn't fit in with those corporate scientist-types, someone who is always on the edge, which means that he has the guts to do the unexpected, to break down clichés from the past.
The plan, which Fox calls elegant for its simplicity, is to get the scientist over on their side through one of the two things he has the hots for: sex. Though he is getting his share of nooky, the corporate raiders sense that he doesn't show passion about it, he is missing something in his life which they will provide him. That something is an Italian prostitute named Sandi (Asia Argento-the daughter of the Italian cult horror director). She will be given a million dollars for her part by the two raiders and all she has to do is fall in love with him and make him fall in love with her so that he leaves his wife and science position to go with her and start life anew. Needless to say, Sandi has the body parts to fit the part she is playing.
The film is meant for one to get lost in its kinky sexual encounters, in its opium dream sequence, in its half-baked aphorisms constantly pouring out of Fox's secretive mind, and for one to be enamored by a web of corporate espionage ventures that takes the viewer into sleek offices and down dark noir passages, across unknown cities, as it makes the most casual conversation between the parties seem couched in double-meaning- while in reality, everyone seems to be on video surveillance.
Fox and X, plan to sell Hiroshi to a rival corporation for $100 million dollars, though Fox, as the leader, continually says he is not in it for the money- but, "That knowledge is virtue. The unexamined life is not worth living."
I began to enjoy the film more for its style, which is the only way to view it. It was shot in such exacting detail, its colorful sets becoming a feast for the eyes that were ready to experience visions not seen in other sci-fi films, it also allowed for a certain pleasure to be induced from overhearing the odd conversations that were inane but fun to listen to. Fox's haiku is a good example of the meaningful nonsense the film conveyed, as he recites to X the poem he just wrote:
"A dog walks into a bar
dressed in a suit and a tie
and orders a Scotch and a toilet water."
Intrigue becomes part of the picture, as things work out too well for the two raiders, as Hiroshi leaves his wife and goes with Sandi to Marakesh, in a science lab specially built for him. But something mysterious soon happens and the last 20 minutes of the film repeats what happened so far, but adding new details and a different way of looking at it. The murky ending will not be pleasing to most viewers, as they try to make sense of what is happening.
REVIEWED ON 1/18/2000 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
ozus@sover.net
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