AMERICAN PSYCHO
A film review by Christopher Null
Copyright 2000 filmcritic.com
filmcritic.com
From the opening scene, showing drops of blood on a pristine white surface, we know we're in for... well, not your ordinary slasher flick. Turns out the "blood" is a berry sauce being applied to a plate of haute cuisine. And the mind games of AMERICAN PSYCHO have only just begun.
Steeped in controversy and mired in production for years, AMERICAN PSYCHO tells the story of Anybroker Patrick Bateman (Christian Bale), a highest-society late 1980's Wall Street investment banker with a penchant for murder and a bloodlust that doesn't quit. Think of it as a portrait of Gordon Gecko as a young man.
With knives, axes, guns (bullet and nail), and/or chainsaw, Bateman hacks up homeless people, hookers, and even a few of his friends, especially if they talk nasty about him behind his back. Between bouts of rough sex, a rigorous shower and exercise routine, drinks and dinners with friends and dates, and listening to his favorite music (Huey Lewis, Phil Collins, and Whitney Houston), it's surprising that Bateman actually has time to get to work.
And murder's just not enough for Bateman. He's engaged to Evelyn (Reese Witherspoon) but is boning her sister (Samantha Mathis) and a whole lot of whores, to boot. Everyone but his assistant (Chloë Sevigny) is getting a piece of the action. Not that you'd want any, because most everyone who visits Patrick's apartment ends up in the fridge.
AMERICAN PSYCHO has the tendency to be a character in search of a plot, as was the case with the novel, but director Mary Harron has infused Bret Easton Ellis's tale with so much twisted and neo-farcical psychosis that she's really turned a rambling psychothriller novel tinged with comedy into a ribald satire tinged with thrills. The murders in AMERICAN PSYCHO aren't particularly gruesome, it's the glee with which Bateman carries them out that makes him a true villain. Even the novel's most gruesome killing (which I won't detail here, but which involves a bound woman, a starving rat, and a Habitrail) has been cut from the film.
As for Bale, well, I think we've just witnessed the defining moment of his career: the role for which he will forever be compared to. (Think Leonardo DiCaprio (who was rumored to be taking this part at one time) in TITANIC.) He certainly plays Bateman to a T, even if the dialogue he's been given is a bit flat.
Harron has often described this film as a work of feminism. I don't know about that. It's scattered and often random (like the novel) and any female point of view was lost on me. No matter. AMERICAN PSYCHO vibrates between being deliriously funny and just plain delirious. And for some reason, it made me really want to work on my abs.
RATING: ***1/2
|------------------------------|
\ ***** Perfection \
\ **** Good, memorable film \
\ *** Average, hits and misses \
\ ** Sub-par on many levels \
\ * Unquestionably awful \
|------------------------------|
MPAA Rating: R
Director: Mary Harron Producer: Christian Halsey Solomon, Chris Hanley, Edward R. Pressman, Ron Rotholz Writer: Mary Harron, Guinevere Turner Starring: Christian Bale, Willem Dafoe, Jared Leto, Reese Witherspoon, Samantha Mathis, Chloë Sevigny
http://www.americanpsycho.com
--- Christopher Null - null@filmcritic.com - http://www.filmcritic.com
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