Kill-Off (1989)

reviewed by
Dennis Schwartz


KILL-OFF, THE (Director/writer: Maggie Greenwald; screenwriter: adapted from a Jim Thompson novel; cinematographer: Declan Quinn; editor: James Y. Kwei; cast: Loretta Gross (Luanne), Andrew Lee Barrett (Bobby Ashton), Jackson Sims (Pete Pavlov), Steve Monroe (Ralph), Cathy Haase (Danny Lee), William Russell (Rags), Sean O'Sullivan (Dr. Ashton), Jorjan Fox (Myra Pavlov), Ellen Kelly (Lily Williams), Ralph Graff (Henry Williams), 1989)

Reviewed by Dennis Schwartz

It's rare that a woman directs a noir film and especially one as hard-boiled as this one appears to be. Maggie Greenwald (The Ballad of Little Jo), in the tradition of Ida Lupino, directs this independent low-budget modern noir film by using dark shades of technicolor as her auteur signature. She paints a downtrodden East Coast resort town with the broad brushstrokes of losers and casts her camera on them as they interact with each other out of desperation. The film decides to go without a main protagonist, but tells the story of what's eating away at all these citizens, enough for murder to result. It is based on a book by the late pulp novelist Jim Thompson, whose Grifters was successfully made into a film. The theme of the film could easily be: 'misery loves company.'

Luanne (Gross) is the middle-aged town gossip, the most detested person in town, who has an acid-tongue and is not adverse to dropping bombshells on any of the town's citizens. She is a pitiful woman, who remains bedridden. Her doctor refuses to treat her anymore, saying there is nothing wrong with her. She married when she was 35-years-old a much younger man, the 18-year-old Ralph (Monroe), who is a dimwit. He stays with her because she manages his life and lets him fool around with other women as long as he tells her about it. He works as a handyman for one of the resort places and as a janitor in the Pavillion bar.

Ms. Greenwald's penchant for long close-ups of her disgruntled players, creates a noir feel for the film. She also adds strength to the noir style of the film, by having the dialogue stripped to the bare minimum. The movie opens with the abrasive Luanne on the phone spreading the dirt about the middle-aged Lily Williams (Kelly), who has lived alone with her brother for a number of years, and now is pregnant by him. Luanne claims that what she says is always true and that she does it because the town treated her so badly when she married Ralph, that she is only giving them a dose of their own medicine. Lily commits suicide, since she was unable to stop Luanne from talking to others on the phone about her and apparently couldn't face the music for her actions.

The film's downbeat mood reflects the characters and their dismal lives. The bar owner, Pete (Jackson Sims), wonders why there is no one in his bar when it was once a hot spot. His bartender, the disconsolate Rags (Russell), who came to this town after his family died in an accidental fire, which he set when he was drunk (which is information only Luanne knows about), advices Pete to get girl strippers in the place to draw in the off-season crowd. Pete will find a prostitute in the street, Danny Lee (Haase), and make her the club's stripper. She lacks the confidence to believe that she will be able to do a good job as a stripper.

Pete's other pressing problem is his daughter Myra (Fox), who is seeing on the sly Dr. Ashton's good-for-nothing son, Bobby (Barrett). He is giving her heroin and as learnt through Luanne's gossip, has also been dealing hard-drugs in his bar.

Pete is also fretting about the deal he had with Luanne's father, where he lent him ten thousand dollars for a business venture and that money was never repaid to him when he died. Pete is sure that Luanne socked the money away.

Luanne tells Pete that she knows he raped his daughter, which Pete says only happened once, when he was drunk and didn't know what he was doing. She tells him that he should be grateful she has kept her mouth shut and the money she has taken from him, should be considered as a payment for her silence.

Bobby, to spite Luanne, gets Ralph fired from his handyman job, which causes Ralph to go into a panic that he won't have enough money to live in this small-town and he wails that he does not feel secure enough to live anywhere else. His panic continues even after Luanne tells him not to worry, that she has some money saved to support them.

Ralph falls in love with Danny, as he watches her strip show and tries to build her confidence by admiring her act. Luanne sensing that Ralph has found another woman, gets Bobby on her side, by offering him a lot of money to take care of the stripper. But Bobby can't go through with it. In the meantime, Danny plots with Ralph, telling him that he should kill Luanne and that afterwards they should get married.

The film comes to its climax as Luanne is murdered. In the book, the author never revealed who did it. Ms. Greenwald, instead, lets the viewer see who killed Luanne. She aims to show all the desultory characters and how their hatred motivates what they do in life, in lieu, of going for the suspense.

The film failed to be a nail-biter and it wasn't psychologically deep, nor was it morally arresting, but what it had going for it in spades, was showing a feeling of malaise. The film caught the essence of these wasted souls and gave them their 15- minutes of fame. A very competently made film, if you are willing to be taken down such dark stairs, where the light is very dim and the view is not that great and what becomes rewarding, is seeing how transfixed the characters are as they cannot change their ways, even if they come to realize that their life depends on positive changes occurring.

REVIEWED ON 5/5/2000      GRADE: C+

Dennis Schwartz: "Ozus' World Movie Reviews"

http://www.sover.net/~ozus
ozus@sover.net

© ALL RIGHTS RESERVED DENNIS SCHWARTZ


The review above was posted to the rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the review and has no editorial control. Unless stated otherwise, the copyright belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due to ASCII to HTML conversion.

Related links: index of all rec.arts.movies.reviews reviews