ANGIE A film review by Michael John Legeros Copyright 1994 Michael John Legeros
Directed by Martha Coolidge Written by Todd Graff, based on the novel "Angie, I Says" by Avra Wing Starring Geena Davis MPAA Rating "R" (presumably for adult-themed humor) Running Time Approx. 110 minutes
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"What have the Irish done to make you hate us so much?" - Stephen Rea to Geena Davis, when she tries to honk an Irish accent.
ANGIE doesn't make a bit of sense. Which is shame, considering how likeable this Geena Davis vehicle really *is*.
ANGIE is Angie Scacciapensieri (Davis), a Catholic/Italian/Brooklyn gal with an okay boyfriend and a better job. By day, she works for a magazine. By night, she dates a plumber. (Named, what else?, Vinnie.) The twist comes when the supposedly free-spirited Scacciapensieri gets pregnant and doesn't want to get married. Because, as she states, "having a baby changes everything." No duh.
Which pits Angie against her family, her friends, and, ultimately, herself.
There's a *lot* to like about ANGIE. There's good acting across the board, from Mrs. Renny Harlin on down. The less-than-ethnic-looking Davis effortlessly carries the film. She's a striking actress *and*, as proven here, a dependable talent. Some of the better supporting players include James Gandolfini, Aida Tuturro, and THE CRYING GAME's Stephen Rea as a love-interest.
More importantly, the characters *feel* real. As do (most of) the situations. The production values are good. The timing is good. All in all, a very good effort.
So what's wrong?
ANGIE never explains Angie. Or, if you prefer, the film never clearly explains who Angie *is.* We know more of what *happens* to her anything else. In fact, Angie goes through enough dramatic situations to fill *three* films. Her monologue to an incubator, alone, should send collective estrogen levels soaring.
(Insecure men beware: ANGIE contains extensive humor on vibrators, gynecological exams, and breast feeding! :-)
The story skimps in a couple other places. Angie's reason for leaving Vinnie is never made clear. And her truck-stop transformation late in the film, where she cuts all her hair herself, is barely believable.
Over-playing and unintentional omissions aside, there's enough honest humor in ANGIE to amuse anyone. Better bits include Angie registering into the hospital as "Angie Scotchandsoda" and a delivery-room scene complete with A CHORUS LINE.
All this and a healthy dose of Catholic guilt to boot! :-)
Ultimately, ANGIE feels like a "greatest hits" compilation from a longer, stronger movie. The early scenes work well, but the film goes downhill, a bit, as the drama is played increasingly hard. Like any compilation, it's a pleasant experience even if none of the scenes, good or not-so-good, ever tell us who Angie really is. Which may leave some viewers feeling hollow.
NOTE: I don't know what is a funnier example of "intended audience." The "stay in school" PSA shown before SUGAR HILL? Or the weepy Miramax trailers shown before ANGIE? :)
Bottom line: ANGIE is a likable comic drama that benefits from a good cast, good characters, and handsome production values. But some overwrought drama and a vague lead character are definite demerits.
Grade: B-
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