Angie (1994)

reviewed by
Michael J. Legeros


                                        ANGIE
                       A film review by Michael John Legeros
                        Copyright 1994 Michael John Legeros

Directed by Martha Coolidge Written by Todd Graff, based on the novel "Angie, I Says" by Avra Wing Starring Geena Davis MPAA Rating "R" (presumably for adult-themed humor) Running Time Approx. 110 minutes

===
"What have the Irish done to make you hate us so much?"
                                - Stephen Rea to Geena Davis,
                                  when she tries to honk an
                                  Irish accent.

ANGIE doesn't make a bit of sense. Which is shame, considering how likeable this Geena Davis vehicle really *is*.

ANGIE is Angie Scacciapensieri (Davis), a Catholic/Italian/Brooklyn gal with an okay boyfriend and a better job. By day, she works for a magazine. By night, she dates a plumber. (Named, what else?, Vinnie.) The twist comes when the supposedly free-spirited Scacciapensieri gets pregnant and doesn't want to get married. Because, as she states, "having a baby changes everything." No duh.

Which pits Angie against her family, her friends, and, ultimately, herself.

There's a *lot* to like about ANGIE. There's good acting across the board, from Mrs. Renny Harlin on down. The less-than-ethnic-looking Davis effortlessly carries the film. She's a striking actress *and*, as proven here, a dependable talent. Some of the better supporting players include James Gandolfini, Aida Tuturro, and THE CRYING GAME's Stephen Rea as a love-interest.

More importantly, the characters *feel* real. As do (most of) the situations. The production values are good. The timing is good. All in all, a very good effort.

     So what's wrong?

ANGIE never explains Angie. Or, if you prefer, the film never clearly explains who Angie *is.* We know more of what *happens* to her anything else. In fact, Angie goes through enough dramatic situations to fill *three* films. Her monologue to an incubator, alone, should send collective estrogen levels soaring.

(Insecure men beware:  ANGIE contains extensive humor on vibrators,
                       gynecological exams, and breast feeding!  :-)

The story skimps in a couple other places. Angie's reason for leaving Vinnie is never made clear. And her truck-stop transformation late in the film, where she cuts all her hair herself, is barely believable.

Over-playing and unintentional omissions aside, there's enough honest humor in ANGIE to amuse anyone. Better bits include Angie registering into the hospital as "Angie Scotchandsoda" and a delivery-room scene complete with A CHORUS LINE.

     All this and a healthy dose of Catholic guilt to boot! :-)

Ultimately, ANGIE feels like a "greatest hits" compilation from a longer, stronger movie. The early scenes work well, but the film goes downhill, a bit, as the drama is played increasingly hard. Like any compilation, it's a pleasant experience even if none of the scenes, good or not-so-good, ever tell us who Angie really is. Which may leave some viewers feeling hollow.

NOTE: I don't know what is a funnier example of "intended audience." The "stay in school" PSA shown before SUGAR HILL? Or the weepy Miramax trailers shown before ANGIE? :)

Bottom line:     ANGIE is a likable comic drama that benefits from
                 a good cast, good characters, and handsome production
                 values.  But some overwrought drama and a vague lead
                 character are definite demerits.
Grade: B-
.

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