BIG HEAT, THE (director: Fritz Lang; screenwriters: from story by William P. McGivern/Sydney Boehm; cinematographer: Charles B. Lang; editor: Charles Nelson; cast: Glenn Ford (Dave Bannion), Gloria Grahame (Debby Marsh), Jocelyn Brando (Katie Bannion), Alexander Scourby (Mike Lagana), Lee Marvin (Vince Stone), Jeanette Nolan (Bertha Duncan), Willis B. Bouchey (Lt. Wilkes), Howard Wendell (Commissioner Higgins), Adam Williams (Larry Gordon), Dorothy Green (Lucy Chapman), Sidney Clute (Bartender), Edith Evanson (Selma Parker), 1953)
Reviewed by Dennis Schwartz
This riveting noir thriller was made on the heels of the Kefauver crime hearings in the U.S. Senate. Dave Bannion (Glenn Ford) is the loving family man and inscrutable homicide sergeant, called in to investigate an obvious suicide of a veteran policeman. Concluding the investigation, he receives a call from Lucy Chapman about the suicide, who tells him she has some information. He visits where she works as a bargirl hustler, skeptically listening as she tells him that she was Tom Duncan's girlfriend and that he didn't commit suicide. Bannion has a judgmental thing about women, looking at them as either saints or whores. His wife is a saint, Lucy is a whore... . But Bannion is dutiful, so he goes back to the widow to recheck the reason for the suicide, as she tells him again, it was because of a terminal illness. But, Bannion is skeptical, as he is left without any doctor's report as proof. He also wants to know about the expensive summer home the cop owns and how he got it on a policeman's salary. Bertha Duncan (Jeanette Nolan) is not pleased with the visit and telephones the crime boss in the city, Mike Lagana (Scourby), that she doesn't want him around her house anymore. Lagana arranges with the police commissioner to get Bannion to forget the investigation.
Bannion is ordered the next day by his boss, Lt. Wilkes, to stay away from her, telling him there is pressure coming down on him from the higher-ups. But Bannion soon learns that Lucy Chapman was found tortured to death on a deserted road. It is out of his jurisdiction, but he still investigates her death. He knows her death was connected with her seeing him and now believes Lucy was telling the truth about Bertha Duncan, that she has replaced her husband on Lagana's payroll because she has some incriminating evidence against the organization her husband left and is blackmailing them with it.
Bannion goes to Lagana's house and tells him that he knows he's behind all the city corruption and behind Lucy's murder. Lagana retaliates by having his men put a dynamite bomb in his car, which kills Bannion's wife by accident.
Bannion is forced to go on a solo crusade when he discovers the police commisioner is on Lagana's payroll; he is suspended from the force after insulting the commissioner.
Bannion opens up a can of worms, showing that the city is being corruptly run by the egomaniacal Lagana, and that the police commissioner and some city council members play poker with his henchmen, Vincent Stone (Marvin).
Stone is a latent homosexual psychopath who does contract killings for the big boss, living with his moll in an abusive but materially rewarding relationship for her. The moll is the sexy but ditsy Debby (Grahame). The most unforgettable scene in the film is when Stone reacts violently when he learns that Debby was seen talking with Bannion and tosses a pot of scalding coffee at her, which permanently scars one side of her beautiful face.
There is no stopping Bannion now, as with the methodical ease of a professional hit man, he takes on the syndicate, using his anger from his wife's murder and the contempt he has for his fellow officers' cowardly behavior, to take it out on the mobsters. He becomes just as menacing in his actions as the crime boss, leaving a trail of death behind him.
His solace comes, when his faith in human beings is restored, as a crippled secretary (Evanson) goes out of her way to help him identify the one who killed his wife, when old army veterans who served with his in-law band together to protect his threatened young daughter, and when some of his fellow officers can't take the corruption anymore and stop worrying about their pension to offer him support.
The film's title is derived from the big heat that comes down on the gang when Mrs. Duncan is murdered by Debby, who can't forgive Vince for what he did to her. Mrs. Duncan's death releases all the dirt on the syndicate. For Bannion, this is seen as a hopeful sign that people can change. Debby's courage heartens him again and allows him to return to being a homicide detective. Her death at the hands of Vince, comes as she returns to his apartment to scald him in the face so that he can also look like she does. Her death gives her salvation in Bannion's eyes, as it allows her to be cherished for her good side that has at last won out from her bad side. He can now tell her about his wife before she dies, as he no longer considers her to be a whore.
They don't get much better in noir films than this stark and gritty classic. It has the auteur signature of Lang written all over it, with outstanding performances from a cast that puts their stamp of reality on the film. Its nihilistic message about humanity is scarring, Glenn Ford's pyrrhic victory in the end and his restoration to his old job, seems to have a cynical feel to it, meaning that violence and corruption go together in city politics like ham and eggs. It has all of Lang's concerns put into the film, about a corrupt society, sadistic violence, the corruption of police officers measured against the stark goodness of other police officers, and the revenge motif that the film is steeped in, which allows Lang to show, that by doing what is right you must pay a dear price. Institutions break down in the face of corruption and Lang believes that it is only through individualistic acts that the institutions can be saved. This is a dangerous film, its message is not an easy one to receive.
REVIEWED ON 6/19/2000 GRADE: A
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
ozus@sover.net
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews