THE MAN BY THE SHORE A film review by Max Hoffmann Copyright 1994 Max Hoffmann
THE MAN BY THE SHORE France, 1993, 101 min. In French and Creole with English Subtitles Director: Raoul Peck Producer: Pascal Verroust Screenplay: Peck, Andre' Grall Camera: Armand marco Editor: Jaques Comets Cast: Jennifer Zubar, Tolo Bissanthe, Jean-Michel Martial, Patrick Rameau Print: Frouma Films International
Rating: Scale 1-10 (10 = highest) 9
A starkly simple and engaging tale, of the escalation of violence and ascension of dictatorship in 1960's Haiti seen through the eyes of a young girl. Soft pastel images and idyllic landscape are punctuated by blood and violence, mostly done thankfully from a distance.
The film's greatest accomplishment is showing the horror of repression through mundane, everyday events (e.g., the wife of the local military ruler deciding she can return a pair of well-worn shoes, demanding a full refund) escalates to disastrous consequences. The film is sparse on dialogue and is very non-linear; some scenes and sequences repeat. The film is deliberately edited to reflect the jumbled memories of childhood.
Due to this, and the camera's occasional over-lingering embrace of household objects, a heavy dose of patience is required in the second and third reel. But it's worth the wait. The memories come together with tremendous clarity in the final thirty-five minutes of the film.
THE MAN BY THE SHORE is also refreshing in that there is only one Euro/White face in the entire film. For American audiences, it is an exhilarating experience to see blacks honestly portrayed, completely free of stereotypes. I can't remember the last film I've seen with a large black cast that didn't involve drugs or prostitution. The dusky skin tones are beautifully illumined in a variety of lighting situations, the acting subtle and elegant. Portraying repressed, silenced characters, the actors have to make much out of little dialogue. There is a scene in church, where the local warload sits serenely amidst a sea of faces, faces of the survivors of his victims. The image conveys far more than words or music could.
Well worth seeing. Better on a big screen than it would be on video. Due to subtitles, don't expect this one on PBS.
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