Woman on Top (1999)

reviewed by
Berge Garabedian


WOMAN ON TOP
RATING: 7.5/10 --> Very good movie

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I've been hearing about this "up and coming" actress named Penelope Cruz for what seems like years now. She's the next Salma Hayek...she's the next big thing...she's this...she's that! Alright, now here was my first opportunity to actually see her on the big screen. To be honest, I was pretty sick of hearing about her and just wanted to get this over with already. To my surprise, she was actually quite charming. In fact, I can freely admit that she owns this film! If you don't like her or her personality, the film will not win you over. If you are taken by her (which I was), you will be swept away like many others. Now get ready to be taken on a Cruz...

PLOT: A story about love, motion sickness and the art of cooking. A strange description but certainly an accurate one. This film is about a beautiful woman who loves to cook but cannot allow others to "control" her, due to her motion sickness. She must always be "on top" of things. After finding her husband cheating on her, she flies off to San Francisco to start anew. An instant cooking star in America, she is eventually tracked down by her wayward husband and asked to love again. Will she? Can she? Should she? Find out...

CRITIQUE: A cute comedic fantasy romance whipped out of a recipe with a pleasant bossa nova groove, a LIKE WATER FOR CHOCOLATE-type story, and dessert featuring the adorable Penelope Cruz. This film is very light on its feet. It doesn't take itself too seriously and doesn't ask that any audience member does either. It's filled with fun Brazilian tunes, bright colors, tasty settings, magical moments, easy humor and dashes of romance. It seems to be wrapped up in a neat little bow asking for you to love it, and with Penelope Cruz's enchanting charisma, it succeeded in tangling me in its web of fluffy amusement. Do the characters attain any deep states of consciousness? Not really. Is the ending telegraphed from scene one? Pretty much. But this isn't that kind of film. It's the type of movie that you see in order to "watch the pretty colors", or in this case, the pretty people, settings and cuisine. I enjoyed it all the way through. It was an easy watch, moved along at a rapid pace and presented just enough mystical mumbo-jumbo for me to buy into its fantastical elements.

Not sure if "regular" audiences are ready to accept the fantasy/comedy/romance combo, but I'm confident that this will find at least a certain niche of red-hot lovers out there. The one thing that is sure about this movie is that it's all about Penelope! She's glued to the camera for the entire picture, with close-ups, tight shots and body parts swaying across the screen throughout (no nudity though!). She makes this film with her wonderful smile, her cuter-than-Hayek accent and her oh-so seductive appeal. Is she a good actress? Sure. For what the role demands, she was perfect but certainly could've benefited from a few more third-dimensional characters around her. Everyone from her comic-relief-based best friend to her Antonio Banderas Jr. boyfriend was decent, but mostly underwritten. Ultimately, the film touches everything with a "light" brush. Light drama, light humor, light fantasy, light performances, a light soundtrack and a light ending. Personally, the film won me over with its top performance by Cruz and its groovy tunes. For those who have seen LIKE WATER FOR CHOCOLATE, consider this its light American cousin. Perfect for dates and those cozy late nites together in front of the VCR. A delicious fairy tale that goes down easy.

Little Known Facts about this film and its stars: This is actress Penelope Cruz's first English-speaking lead role, despite having over a dozen films to her credit, and already being a superstar in her native Spain. She is probably best known in the States for her role in the Oscar-winning film ALL ABOUT MY MOTHER, by Pedro Almodovar. Her upcoming American projects set her up with Matt Damon (ALL THE PRETTY HORSES), Johnny Depp (BLOW) and Nicolas Cage (CAPTAIN CORELLI'S MANDOLIN). Ironically, Penelope became a vegetarian after filming ALL THE PRETTY HORSES. Screenwriter Vera Blasi suffers from motion sickness herself and also spent much of her own childhood and teen years going back and forth between Brazil and San Francisco (as does the main character in this film). This is her first produced screenplay. All of the characters in this film speak English but when they sing, they sing in Portuguese.

Review Date: September 3, 2000
Director: Fina Torres
Writer: Vera Blasi
Producer: Alan Poul
Actors: Penelope Cruz as Isabella
Murilo Benicio as Toninho
Harold Perrineau Jr. as Monica
Genre: Romantic Comedy
Year of Release: 2000
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(c) 2000 Berge Garabedian

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