Kyua (1997)

reviewed by
Jon Popick


Planet Sick-Boy: http://www.sick-boy.com
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If you've been wondering whether someone can make a film as moody, atmospheric and downright disturbing as Se7en, you'll want to start pleading with your local arthouse theatres to land Kiyoshi Kurosawa's Cure. Actually, it's more of a blend of Memento's amnesia, The Manchurian Candidate's mind-control and power of suggestion, and the bent serial killer from the aforementioned Se7en.

Yakusho Koji (Shall We Dance?) plays Detective Kenichi Takabe, a man clearly beaten down from both dealing with his mentally unstable wife and his inability to solve a string of bizarre murders. The victims all have a large "X" carved into their throat and chest, but the killings have an even more bizarre link. The murderers are always found near the crime scene but have no recollection of committing any crime. To make matters worse, they're usually friends and acquaintances of the victims, too.

Enter a peculiar psychology student named Mamiya Kunio (Hagiwara Masato), who might be connected to the murders but suffers from acute amnesia, making him impossible to question as he can't remember anything that happened more than a few minutes ago. Mamiya keeps asking, "Who are you?" over and over again (his memory is much worse than Leonard Shelby's), but is he merely trying to figure out who you are, or is he trying to get you to question your own identity?

Kurosawa, who won an award at Cannes this year for Séance, uses long shots almost exclusively in Cure, which, amazingly, is his first film to be released in the United States. The result makes the film a bit creepier, sort of like you're spying on the characters, which makes everything more realistic. It's one bleak film, and its ending would make Kevin Spacey proud. But if you're the kind of idiot that needs every loose end neatly tied up before the credits roll, you'll want to skip this and see America's Sweethearts again.

1:51 - Not Rated
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