Broadcast News (1987)

reviewed by
Walter Frith


                             BROADCAST NEWS
                       A film review by Walter Frith
                        Copyright 1997 Walter Frith

Politics, talent, attitude and perseverance can be crucial factors when pursuing a career in the media. In a business loaded with constant restructuring, downsizing and often a push towards flash over substance, the factors listed above along with ethics and some perky romantic escapades are examined in James L. Brooks' 'Broadcast News'. Brooks, the man responsible for creating several successful television series ('Taxi' etc.) made a successful transition to the big screen as a talented filmmaker who won three Oscars in one night for 'Terms of Endearment' as that film's producer, director and screenwriter based on Larry McMurtry's novel. That was 1983 and it would take Brooks four years to follow-up that film with 'Broadcast News'. I myself have worked in the media and having worked in the field himself, Brooks was right on target in his depiction of three characters (William Hurt, Holly Hunter and Albert Brooks) and their different personalities leading to their eventual destinies in the workplace. Their destinies in the field of romantic endeavour also come into play and 'Broadcast News' has a most generous and satisfying conclusion.

Set in Washington, D.C., Hunter plays a producer for a major network while Brooks is the enormously talented but under appreciated news reporter constantly by her side who has the film's best lines. Enter a future anchorman (William Hurt) who knows almost nothing about the business of news or understanding its impact and clarity but manges to land on his feet because of what his employers feel is his attractive face. Enraged by the network's choice of flash over substance, Hunter turns sour at the thought of having to work with him. Their is a constant rivalry between Hurt and Brooks as Brooks despises everything Hurt is about and isn't shy about showing his true feelings.

At a party for station employees at the home of one of the network's wealthier participants, a call is made informing them that a major story has broken overseas involving an attack on a U.S. military base in Sicily by the Libyans and everyone races to get to the station and go on-air for live breaking news. It's one of the film's best scenes as Hunter is given the job of executive producer for the segment and Brooks is shunned from any coverage of the assignment at all and from home he phones in to Hunter his knowledge of Libya and U.S. military aircraft and she relays it through the microphone connected to Hurt's earpiece and he immediately relays it to the viewing audience. While he's watching television those immortal words are spoken by Brooks "I say it here, it comes out there."

Towards the film's climax, which is the downsizing and frustration of the employees affected, 'Broadcast News' reaches into the personal lives of its characters and contains some of Brooks' best work as a director. 'Broadcast News' in many ways was better than 'Terms of Endearment' for its use of personal relationships done more cleanly than the soap opera atmosphere of 'Terms of Endearment.' On its tenth anniversary and in the aftermath of the media circus of both O.J. Simpson trials and the current Oklahoma City trial, 'Broadcast News' shows you what the evening nightly news doesn't always......and that's detail !


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