THE SAINT
A film review by Christopher Null
Copyright 1997 Christopher Null
[REVIEWS TAKE A NEW, SHORTER FORMAT BEGINNING WITH 'THE SAINT']
The Next Big Franchise hits theaters this Friday, with all the trappings of a sequel-destined event. Infused with a backstory to set up the past of its nameless hero (Val Kilmer) as something of a "rogue James Bond with a guilty conscience and a Volvo," THE SAINT is as improbable as it is entertaining. With a plot revolving around a successful cold fusion experiment developed by miniskirt-clad scientist Emma (Elizabeth Shue) and the Russian Mafia's enlisting of the Saint to "steal the formula," it would be easy to sit back and laugh at the film's goofiness. However, Kilmer comes off as so engrossing and delivers his wryly hilarious lines with such precision that you end up forgetting the bad techno soundtrack and the series of unlikely coincidences that drive the picture to its inevitable end. And while that obviously-altered-to-make-it-happy ending is truly annoying, it's THE SAINT's combination of action and comedy that make it a worthwhile trip.
RATING: ***1/2
|------------------------------|
\ ***** Perfection \
\ **** Good, memorable film \
\ *** Average, hits and misses \
\ ** Sub-par on many levels \
\ * Unquestionably awful \
|------------------------------|
-Christopher Null / null@filmcritic.com / Writer-Producer -Visit the Movie Emporium at http://www.filmcritic.com -and Null Set Productions at http://www.filmcritic.com/nullset.htm
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