GROSSE POINTE BLANK
A film review by Christopher Null
Copyright 1997 Christopher Null
John Cusack returns to film after a string of disappointments (CITY HALL, MONEY FOR NOTHING) with... yet another disappointment! GROSSE POINTE BLANK is full of possibilities (a great hook, a sharp cast, and a wry cynicism that is shamefully lacking from film these days) but comes up short on all sides. As Martin Blank, Cusack had the chance to portray a hitman coming to terms with his own mortality on the eve of his high school reunion. And while he performs with characteristic charm and sly sarcasm, as do his compatriots (including Joan Cusack, Jeremy Piven, and the object of his affection Minnie Driver), it's the blown opportunities for hit-it-home funniness that really make the whole experience somewhat lackluster. Apart from that, GROSSE POINTE BLANK is really a poorly made movie on a technical level. Editing, cinematography, and continuity are all just plain bad, and together they give the impression of an amateurish rush job, despite the fact that the film is already dated (taking place in 1996). Let's hope Romy and Michele have more to offer next week....
RATING: ***
|------------------------------|
\ ***** Perfection \
\ **** Good, memorable film \
\ *** Average, hits and misses \
\ ** Sub-par on many levels \
\ * Unquestionably awful \
|------------------------------|
-Christopher Null / null@filmcritic.com / Writer-Producer -Visit the Movie Emporium at http://www.filmcritic.com -and Null Set Productions at http://www.filmcritic.com/nullset.htm
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