Trois couleurs: Rouge (1994)

reviewed by
Chad Polenz


                                    RED
                       A film review by Chad Polenz
                        Copyright 1997 Chad Polenz

Chad'z Rating: *** (out of 4 = good) 1994, R, 99 minutes [1 hour, 39 minutes] [drama] starring: Irene Jacob (Valentine), Jean-Louis Trintisnant (The Judge), Frederique Feder (Karin), Jean-Pierre Lorit (Auguste), written by Krysztof Piesiewicz, Krzysztof Kielowski, produced by Marin Karmitz, directed by Krysztof Kielowski.

If we could interfere with fate, we would (or should we) do it? Perhaps the reason some people believe in fate is because of our sense of privacy. If everyone knew each others' business the world would be a much different place wouldn't it? "Red" tries to play up that theme through an encounter between two strangers.

Irene Jacob stars as Valentine, a fashion model who is likable and very sweet. We follow her around for a while, and at first the film seems a bit confusing as it's hard to tell where it's going. At the same time we also met a young, successful businessman named Auguste (Lorit). He doesn't have much, if anything, to do with Valentine, only that he lives near her. However, his entire character is a great technique in storytelling and filmmaking.

One day Valentine accidentally hits a dog with her car and when she returns it to its owner, a retired judge (Trintisnant), he seems totally apathetic. We can't help but be put off by his attitude, but at the same time he makes for an interesting character because of his bitterness. After several encounters Valentine realizes the judge listens in on his neighbors' telephone conversations for amusement. He doesn't seem so much perverted as he is curious.

Throughout the film the storytelling is breezy as it just tries to define the mood of their rather odd relationship. They discuss his habit of eavesdropping: Valentine claims it's a breach of privacy, but the judge doesn't seem to care anymore. One conversation involves a man's secret affair with his gay lover, and Valentine decides to tell him about the judge. When she arrives at his house she meets the man's wife and child and knows if she were to tell them what is happening it would ruin their lives. This idea of interrupting with fate is the central theme of the film. The judge knows some day the wife will catch her husband and the family will be shattered, had Valentine told them she would have only sped up their misery.

There isn't much else to "Red." It's charming but not sappy. It could be enjoyed by almost anyone, but I would recommend it for mature audiences. Maybe Kielowski isn't trying to make a statement about love or fate, but just present them as he sees them. It's nice to know these kinds of things are relevant all over the world.

[Note: The film is rated R for a sex scene that last about four or five seconds. Besides that, there is no other sex, profanity, nor violence and the film should be suitable for ages 14 and up.]

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