Hard Day's Night, A (1964)

reviewed by
Brian Koller


A Hard Day's Night (1964)
Grade: 90

Movies starring Rock and Roll stars have rarely been treated seriously by the public. Usually it is for good reason. Even the young audience is glad when the dialogue stops and the artist or group performs a song, back in their element again. While establishment artists like Bing Crosby found a home in the movies, outsiders like Elvis Presley were given the most trivial scripts and songs, and the goal was to make the film as quickly and cheaply as possible since the core audience would attend no matter the quality.

"A Hard Day's Night", starring the Beatles, did not change this perception, but the film demonstrated that musicians could act, especially if they just played themselves. John Lennon is mischevious, Paul McCartney is sunny, Ringo Starr is sad-faced, and George Harrisson is ironic. The clever script gives them ample opportunity to lampoon the establishment that sometimes fawns over, and other times patronizes them.

Richard Lester directed and stocked with film with excellent British character actors. We find little-known Wilfrid Brambell stealing the show as Paul's grandfather. He may look "very clean" but he soon proves to be a "keen mixer". Brambell is fond of causing trouble, and his glasses give him enormous malignant eyes. He has a wonderful voice that is the masculine equivalent of a witch's cackle.

Another find is Victor Spinetti as the stessed-out producer of a TV show that stars the Beatles, who won't conform to his petty rules. A classic moment has Spinetti panicking when Brambell suddenly appears on stage during an opera telecast.

The plot has the Beatles tightly scheduled by their managers and gophers, always to and from a show, on a train or in a hotel room. It's no wonder that when they have a moment of free time, they run amock in a field. They are rarely seen without a suit and slacks.

Ringo gets the most screen time of the Beatles. Brambell berates him for reading a book, and gives him the dubious advice that he should go "parading". Ringo takes his advice, disguises himself with a trenchcoat, and, walking the streets alone, causes mischief, tailed by a "bobby" (A British policeman, which apparently lined the streets of London in 1964). Ringo has a humorous sequence involving a lady and his raincoat, which ends with her falling in a hole, and Ringo held by the police. At the station he meets Brambell, who has been brought in for causing a riot peddling pictures of the fab four. Brambell is at his best railing against the policemen, advising Ringo to protect his "briskets" when he is beaten to the floor, etc., when the policemen are so docile that they offer tea.

Both Ringo and Brambell are rescued from the police by the remaining Beatles, who must make Spinetti's TV show. Their performance on the show is the one disappointing part of the film, since they mime to the studio versions. Turn on the mikes and turn off the tape! They also play the same songs that we heard earlier in the film, although it does help that they still sound great the second time around.

"A Hard Day's Night" is the Beatles best film, a little better than "Help" which relied more on physical comedy, and much better than "Magical Mystery Tour" which was just plain weird.

http://members.tripod.com/~Brian_Koller/movies.html


The review above was posted to the rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the review and has no editorial control. Unless stated otherwise, the copyright belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due to ASCII to HTML conversion.

Related links: index of all rec.arts.movies.reviews reviews