Film review by Kevin Patterson
Time Bandits * * * PG, 1981 Directed by Terry Gilliam. Written by Gilliam and Michael Palin. Starring Craig Warnock, Sean Connery.
Terry Gilliam's "Time Bandits" was promoted as a children's movie when it was released, and it's easy to see from a marketing standpoint why this was done. The main character (Craig Warnock) is a child, and the story revolves around his fantastic adventures with a group of six mischievous "time bandits" - former servants of the Supreme Being who have used their knowledge of space and time to travel to various periods of history and steal valuable artifacts. Along the way they encounter Robin Hood (John Cleese), Agamemnon (Sean Connery), and other famous mythical-historical figures. Gilliam, who got off the ground career-wise as the animator for Monty Python, puts his visual sensibilities to good use, creating magnificent alternate worlds that are both epic and cartoonish at once.
What elevates Gilliam's many cinematic flights of fancy above simple adventure stories, however, is his insight into the mindset and implications of fantasy, and "Time Bandits" is no exception. We don't just see the fun, care-free aspect of these childhood fantasies, but the dark side as well. Some of the young boy's heroes, for example, are not all they are cracked up to be. Robin Hood's band of merry men seem to be a rather cynical and mean-spirited bunch, as they amuse themselves by smacking the poor citizens around after they give them their handouts. When we meet Agamemnon, he is in the middle of a brutal fight to the death and seems genuinely regretful at having to cut down his enemy. And towards the end, when the six bandits are trying to summon up a portal to another dimension, one of them proclaims, "You just have to believe!" This is straight out of any kids' adventure movie; yet the bandit's intention is to transport himself and his companions to a realm ruled by greed and evil.
"Time Bandits" succeeds at both romanticizing and pointing out the hazards of childhood fantasies, then, but it ultimately drags on a little too long. The motley crew's various adventures are completely disconnected from each other, and not until the end, when they enter the realm of evil and it becomes Warnock's responsibility to fight for the cause of good, are any of them possessed of a real sense of urgency. It might also have helped if Gilliam had been a little clearer about his internal logic, because "Time Bandits" is thoroughly confusing at times, such as when the young boy's parents disappear for no definite reason.
All in all, "Time Bandits" is an enjoyable and intelligent film, and a prelude to later pieces such as "Brazil" and "The Fisher King" that would distinguish Gilliam as one of the most talented fantasy directors working in modern cinema.
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